I think most of us have at one point or another yelled in a large building or tunnel and heard our voice echo. This effect will add that kind of sound to your music, and if timed properly, it can greatly enhance the overall feel.
Here is a little demonstration of the echo effect. This is a little beat I made with a boring chord section.
Demo No Echo
So, the chord section is too basic. Now, I could go and repeat the notes, or change their velocity, but I just added the Guitarix echo plugin.
Demo With Echo
As you can tell, that echo really adds to the chord section. The Guitarix plugin had two inputs. One was the release time which changes how long it will repeat for. The other input was the time which just changes how fast or how slow it echos. With just a little playing around you can get your instruments echoing in no time.
Another key effect that is used in many different types of music is chorus. Chorus takes the main signal and changes the pitch up or down to create a fuller, shimmery sound, kind of like playing a single note versus a whole chord. You could create multiple tracks with different pitches, but chorus effects are built to properly mix the sounds so nothing sounds off key.
Chances are that any of those shimmery guitar songs you have heard had some chorus in there. This effect tied with some reverb and a flanger produces that classic guitar vibe.
Here are two little bits of guitar I recorded. I added plate reverb to both, but the first has no chorus. Try to see if you can tell the difference.
Guitar Snippet With No Chorus
Here is the same track with reverb, only some chorus was added to make it complete.
Reverb is undoubtedly one of the key basic plugins for music production, but there are some key things to know about it before you go slapping it on every track. There are multiple types of reverb plugins that emulate different types of rooms or represent different ways to artificially add reverb to a track.
Here is a little guitar snippet that I recorded so we can see the differences in each reverb type. This signal was passed through the same effect pedal but the reverb level was set to 0% meaning there was no reverb added.
Guitar Snippet Dry
Here is the Behringer digital reverb pedal that I used to get all these different reverb samples. Of course there are VST, AU, and LADSPA reverb plugins, but this was an easy all in one for me.
The first one I’ll talk about it hall reverb. As the name suggests, it is meant to emulate the sound of a concert hall or theater. Hall reverb often makes the sound go on for a lot longer (long decay time). Hall reverb is often added to strings or pads to add a higher level of richness to them.
This is what that guitar snippet sounds like with a hall reverb at 50% reverb level. (All the rest of the reverb samples have the same reverb level.)
Guitar Snippet w/ Hall Reverb
The second key type is a spring reverb. This reverb isn’t meant to emulate a real life place, but it is artificial by design. Spring reverb is often used in guitar amplifiers, making it great for, you guessed it, guitars. This one is characterized by a warm, richness.
This is what that guitar snippet sounds like with a spring reverb.
Guitar Snippet w/ Spring Reverb
Another artificial reverb type is a plate reverb. The sounds produced are often bright and clean. This can help cut through the mix more than some of the other types of reverb making it good for vocals and some drum tracks.
This is what that guitar snippet sounds like with a plate reverb.
Guitar Snippet w/ Plate Reverb
And last but certainly not least is the room reverb. This type tries to emulate the sound of a smaller room, such as a studio, and produces a more realistic sounding reverb effect. This reverb is great for any track, and is really useful for more up close in your face sounds.
This is what that guitar snippet sounds like with a room reverb.
Guitar Snippet w/ Room Reverb
Have fun experimenting with different types of reverb on your tracks, and don’t feel confined to only using one type of reverb on certain tracks. The key thing to remember with reverb is not to over do it.
Merry Christmas! Being the end of the year, I have produced some music to give away to family and friends. I have decided to share some with you guys, and you can find it on the Music page which is on the hamburger menu. My first album is called Ice Desert. I hope you like it!
The backbone of any sound track is a good drum track. Maybe you like to use them sparingly, or maybe you go all out on the drums, but either way you need drums. The three DAW’s I have covered so far, Audacity, Ardour, and LMMS all have drum integration. I would venture to say that drums in LMMS are easiest to use as there is a drum track where you can click in the drums on certain beats. On Ardour and Audacity you have to copy and paste the drums while also trying to align them, so it can be a little frustrating.
If you want to focus in on the drum track, than you might consider using the Hydrogen Drum Machine. The software is specifically made for making drum tracks and it even has a built in mixer. I actually started off using Hydrogen and when I made the shift to LMMS I found the workflow to be very similar.
Apart from downloading new software for your drum tracks, you do need drum sounds. In LMMS you can find basic drum sounds under the Kicker presets. You could also download something like the Black Pearl Drum-kit and install it like I showed in my LV2 plugin post, and that would work in LMMS or Ardour.
My third alternative would to download recorded drum files. There are a bunch of free sounds and projects on LMMS Sharing Platform, and Freesound also has a bunch of sound files.
Other than that, it’s up to you to make the beat. Something to consider if you are just starting out is downloading a few finished projects off of the LMMS Sharing Platform to see what the beats look like. BPM (Beats Per Minute) settings will make a huge difference in the speed and feeling of the song, so make sure to integrate it if you are trying to imitate a beat or type of song.